Daisy does NOT like peas. And there is NOTHING that will get her to eat them. Mum says she can have an extra pudding, a chocolate factory or a space rocket with double retro laser blammers – but it just won't work! Can quick-thinking Daisy save her tea time and come up with a cunning plan to turn the tables on Mum? This is a wickedly funny book about dinner time which will...(展开全部)

以生命之神歐西里斯為首，九柱神各司其職，守護埃及。 然而在戰爭之神賽特突然殺了兄長歐西里斯，並篡奪其王位後， 和平的埃及，就此陷入賽特殘暴的血腥統治。 數百年後，歐西里斯的妻子，魔法之神伊西斯攜子前來復仇， 眾神趁此機會進行審判， 希望能藉由王權正統繼承者荷魯斯之手，一舉推翻賽特。 可未料，以此為始，賽特與荷魯斯這對叔姪的關係， 便如沙漠的詭譎多變般，走向了炙熱而不可預測的方向──

N.K.杰米辛 纽约市布鲁克林人，拥有心理学和教育学学位，作品主题广泛，包括文化冲突与压迫等。她的处女作是2010年的短篇小说《非零概率》，入围雨果奖与星云奖；同年出版第一部长篇小说《十方诸国》，获得雨果奖、世界科幻奖提名，并荣获轨迹奖最佳长篇小说处女作奖。2016年凭借《第五季》成为首位获得雨果奖的黑人女作家，2017年的《方尖碑之门》再次获得雨果奖，使她成为雨果奖史上第二位蝉联最佳长篇小说奖的科幻作家。

Edited by a small group of students - including Alain Badiou, Jacques- Alain Miller and Francois Regnault - at the Ecole normale superieure in Paris, the Cahiers pour l'Analyse appeared in ten volumes between 1966 to 1969. The journal was conceived as a contribution to a philosophy based on the primacy of concepts and the rigor of logic and formalization, as opposed to lived ex...(展开全部)

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumours and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Fern...(展开全部)

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumours and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Fern...(展开全部)

The Witch is dead. And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor e...(展开全部)

Inspired by a real event of the murder of a woman in rural Mexico, Hurricane Season takes place in a world filled with superstitions and violence-violence that poisons everything around. The Witch is dead. After a group of children playing in the murky waters of the irrigation canals discover her decomposing corpse, the village is rife with rumours and suspicions about the murd...(展开全部)

The Witch is dead. And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor e...(展开全部)

Time and Narrative builds on Paul Ricoeur's earlier analysis, in The Rule of Metaphor, of semantic innovation at the level of the sentence. Ricoeur here examines the creation of meaning at the textual level, with narrative rather than metaphor as the ruling concern. Ricoeur finds a "healthy circle" between time and narrative: time is humanized to the extent that it portrays tem...(展开全部)